“People ask me: ‘why do you need an African-Caribbean Society?’, ‘why do you all hang out together?’, ‘why are you separating yourselves – isn’t this making racism worse?’… I think people forget that humans always divide themselves. When I look around my college people are divided up based on their class, they divide themselves based on the sports that they play. And not in a malicious way, but you group with people who you have something in common with… When I want to have shared experiences with someone who understands this aspect of my life, then yeah I’m gonna be hanging out with people who are from African and Caribbean backgrounds… [The majority of students here] don’t have to search out for people who are like them… because they’re everywhere.”
Women of colour at Cambridge University answer the important question of whether they feel that spaces at the university belong to them. They describe cumulative experiences of otherness, caused primarily by ignorance but also by hostility, and discuss the jarring experience of suddenly becoming a visible minority. They talk about the spaces (safe or otherwise) that they have carved out for themselves. Not in order to segregate themselves, but to be unapologetically themselves around people who understand aspects of their identity which are not understood by the majority of the student population.

Part of the Ain’t I A Woman? campaign, by FLY, a platform for Women of Colour at the University of Cambridge

Discussions on black British identity have largely centred on the experiences of Caribbean immigrants from the Windrush era and their descendants. Where conversations have included the African diaspora in Britain, it is rare that the thoughts and experiences of second and third generation British Africans are considered. However, recent Cambridge graduate, Precious Oyelade, decided to shake up this conversation by looking at British Nigerian identity through the lens of Nigeria’s thriving film industry: Nollywood.

Read article here: Meet The Cambridge Graduate Who Earned A First Class Dissertation Thanks To… Nollywood | Black Ballad

Flashback fifteen years or so and you would find me laughing with my family, frying fish by the riverside. Moving from the Jamaican countryside to inner-city London was a time I could probably write a novel about, but moving from London to Cambridge, a decade later, was an equally defining experience in my life.

Read blog post here: Samara Linton| What Cambridge has Taught Me about Representation | Fly